Anonymous. The Famous History of Friar Bacon. London: E[dward] A[llde] for Francis Grove, 1629.
-----. The Second Tome of Homilies. London: Richard Jugge, 1563.
-----. The Troublesome Reign of John King of England. London: for Sampson Clarke, 1591.
Agrippa, Heinrich Cornelius. Of the Vanity and Uncertainty of Arts and Sciences. Trans. James Standford. London: Henry Wykes, 1569.
Alford, Steven. The Watchers: A Secret History of the Reign of Elizabeth I. New York: Bloomsbury, 2012.
Altman, Joel B. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley and Los Angeles: University of California Press, 1978.
Arber, Edward, ed. A Transcript of the Registers of the Company of Stationers of London, 1554-1640 A.D. 3 vols. London: 1875.
Ardolino, Frank. “Greeneʼs Use of the History of Oxford in The Honourable History of Friar Bacon and Friar Bungay.” ANQ 18.2 (2005): 20-25.
Assarsson-Rizzi, Kerstin. Friar Bacon and Friar Bungay: A Structural and Thematic Analysis of Robert Greeneʼs Play. Lund: C.W.K Gleerupland, 1972.
Bacon, Roger. “Epistola fratris Rogerii Baconus de secretis operibus artis et naturae, et de nullitate magiae.” In Fr. Rogeri Bacon Opera Quaedem Hactenus Inedita. Ed. J.S. Brewer. London: Longman, Green, and Roberts, 1859. 523-51.
Bale, John. Illustrium Maioris Britaniae Scriptorum. [Gippeswici in Anglia: D. van der Straten for Ioannem Ouerton, 1548].
Bentley, Greg. “Coppernose: The Nature of Burdenʼs Disease in Robert Greeneʼs Friar Bacon and Friar Bungay.” English Language Notes 22.4 (1985): 28-32.
Bergeron, David. “‘Bogus Historyʼ and Robert Greeneʼs Friar Bacon and Friar Bungay.” Early Theatre 17.1 (2014): 93-112.
Bourne, William. Inventions or Devices Very Necessary for All Generals and Captains or Leaders of Men. London: [T. Orwin] for Thomas Woodcock, 1590.
Bevington, David. Tudor Drama and Politics. Cambridge, MA: Harvard University Press, 1968.
Bowers, Fredson. On Editing Shakespeare and Other Elizabethan Dramatists. Philadelphia: University of Pennsylvania Press, 1955.
Bright, Timothy. A Treatise of Melancholy. London: Thomas Vautrollier, 1586.
Browne, Sir Thomas. Pseudodoxia Epidemica.London: A. Miller for Edw[ard] Dodd and Nath[aniel] Ekins, 1650.
Burroughs, Jeremiah. The Jewel of Christian Contentment. London: for Peter Cole, 1649.
Butterworth, Philip. Theatre of Fire: Special Effects in Early English and Scottish Theatre. London: Society for Theatre Research, 1998.
-----. Magic on the Early English Stage. Cambridge: Cambridge University Press, 2005.
Calvin, Jean. The Commentaries of M. John Calvin upon the Acts of the Apostles.London: [by Thomas Dawson] impensis G. Bishop, 1585.
Cartwright, Kent. Theatre and Humanism: English Drama in the Sixteenth Century. Cambridge: Cambridge University Press, 2004.
Chettle, Henry. Kind-Harts Dream. London: William Wright, 1593.
Churton Collins, J. The Plays & Poems of Robert Greene. Vol. 2. Oxford: Clarendon Press, 1905.
Clarke, Andrew, ed. Register of the University of Oxford, Vol. 2 (1571-1622). Oxford: Clarendon Press, 1887.
Clark, Stuart. Vanities of the Eye: Vision in Early Modern Europe. Oxford: Oxford University Press, 2007.
Cockett, Peter. “The Ghost of Dick Tarlton, Gentleman.” Unpublished conference paper.
Collier, John Payne, ed. A Select Collection of Old Plays. 12 vols. London: 1825.
Coxe, Francis. A Short Treatise Declaring the Detestable Wickedness of Magical Sciences. London: John Allde, 1561.
Crupi, Charles W. Robert Greene. Boston: Twayne, 1986.
Dahlquist, Mark. “Love and Technological Iconoclasm in Robert Greeneʼs Friar Bacon and Friar Bungay.” English Literary History 78 (2011): 51-77.
De Laurens, Andre. A Discourse of the Preservation of the Sight. London: Felix Kingston for Ralph Jackson, 1599.
Dean, Paul. “Shakespeareʼs ‘Henry VIʼ Trilogy and Elizabethan ‘Romanceʼ Histories: The Origins of a Genre.” Shakespeare Quarterly 33.1 (1982): 34-48.
Dedijer, Steven. “The Rainbow Scheme: British Secret Service and the Pax Britannica.” In Clio Goes Spying: Eight Essays on the History of Intelligence. Eds. Wilhelm Agrell and Bo Huldt. Malmö: Lund, 1983. 10-63.
Dee, John. Friar Bacon his Discovery of the Miracles of Art, Nature, and Magick. Faithfully Translated out of Dr Dees own Copy by T.M. and Never Before in English. London: for Simon Miller, 1659.
-----. Autobiographical Tracts of Dr. John Dee. Ed. James Crossley. Manchester: Chetham Society, 1851.
Dessen, Alan. “Robert Greene and the Theatrical Vocabulary of the Early 1590s.” In Writing Robert Greene: Essays on Englandʼs First Notorious Professional Writer. Eds. Kirk Melnikoff and Edward Geiskes. Farnham, Surrey: Ashgate, 2008. 25-37.
Dessen, Alan and Leslie Thomson. A Dictionary of Stage Directions in English Drama, 1580-1642. Cambridge: Cambridge University Press, 2001.
Diehl, Huston. Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England. Ithaca: Cornell University Press, 1997.
Digges, Leonard [and Thomas Digges]. A Geometrical Practice Named Pantometria.London: Henry Bynneman, 1571.
Digges, Thomas. An Arithmetical Military Treatise named Stratioticos. London: Henry Bynneman, 1579.
Dyce, Alexander, ed. The Dramatic Works of Robert Greene. 2 vols. London 1831.
Eamon, William. “Technology as Magic in the Late Middle Ages and the Renaissance.” Janus 70 (1983): 171-212.
Eco, Umberto. Travels in Hyper Reality. Translated by William Weaver. New York: Harcourt Brace & Company, 1986.
Empson, William. English Pastoral Poetry. New York: W.W. Norton, 1938.
Estienne, Charles. The Defense of Contraries.Trans. Anthony Munday. London: John Windet for Simon Waterson, 1593.
Ettin, Andrew V. “Magic into Art: The Magician's Renunciation of Magic in English Renaissance Drama.” Texas Studies in Literature and Language 19.3 (1977): 268-293
Feingold, Mordechai. “The Occult Tradition in the English Universities of the Renaissance: A Reassessment.” In Occult and Scientific Mentalities in the Renaissance.Ed. Brian Vickers. Cambridge: Cambridge University Press, 1984: 73-94.
Fleay, Frederick Gard. Biographical Chronicle of the English Drama, 1559-1642. 2 vols. London: Reeves and Turner, 1891.
Foakes, R.A. Hensloweʼs Diary. 2nd ed. Cambridge: University Press, 2002.
Florio, John. A World of Words. London: Arnold Hatfield for Edward Blount, 1598.
Fuller, Thomas.Abel Redevivus, or The Dead Yet Speaking. London: Thomas Brudenell for Thomas Stafford, 1651.
Gascoigne, George. The Noble Art of Venery or Hunting. London: Henry Bynneman for Christopher Barker, 1575.
Geree, John. Atrologo-Mastix or a Discovery of the Vanity and Iniquity of Judicial Astrology, or Divining by the Stars the Success or Miscarriage of Human Affaires. London: Mathew Simmons for John Bartlett, 1646.
Gower, John, Jo. Gower de Confessio Amantis.London, Thomas Berthelette 1554.
Greg, W.W. Marloweʼs Doctor Faustus 1604-1616: Parallel Texts. Oxford: Clarendon, 1950.
-----. The Shakespeare First Folio: Its Bibliographical and Textual History. Oxford: Clarendon Press, 1955.
Greene, Robert. Pandosto the Triumph of Time. London: Thomas Orwin for Thomas Cadman, 1588.
-----. Ciceronis Amor. London: I. R[oberts] for Nich[olas] Lyng, 1589.
-----. Menaphon. London: T[homas] O[rwin] for Sampson Clarke, 1589.
-----. The Spanish Masquerado. London: Roger Ward for Thomas Cadman, 1589.
-----. Greenes Farewell to Folly. London: Thomas Scarlet for T[homas] Gubbin and T[homas] Newman, 1591.
-----. A Notable Discovery of Coosnage. London: John Wolfe for T.N., 1591.
-----. Greenes Groats-worth of Wit, Bought with a Million of Repentance. London: for William Wright, 1592.
-----. A Quip for an Upstart Courtier. London: John Wolfe, 1592.
-----. Philomela, The Lady Fitzwaterʼs Nightingale. London: R. B[ourne and Edward Allde] for Edward White, 1592.
-----. The Honorable History of Friar Bacon and Friar Bungay. London: [Adam Islip] for Edward White, 1594.
-----. The Scottish History of James the Fourth. London: Thomas Creede, 1598.
-----. The Comical History of Alphonsus, King of Aragon. London: Thomas Creede, 1599.
-----. Greenes Orpharion. London: I. R[oberts] for Edward White, 1599.
-----. Alcida, Greenes Metamorphosis. London: George Purslowe, 1617.
-----. The Honorable History of Friar Bacon and Friar Bungay. London: Elizabeth Allde, 1630.
-----. The Honorable History of Friar Bacon and Friar Bungay. London: Jean Bell, 1655.
-----. Friar Bacon and Friar Bungay. Ed. W.W. Greg. Oxford: Malone Society, 1926.
-----. Friar Bacon and Friar Bungay. Ed. Daniel Seltzer. Lincoln: University of Nebraska Press, 1963.
-----. Friar Bacon and Friar Bungay. J.A. Lavin. London, Ernest Benn Limited,1969.
Greene, Robert and Thomas Lodge. A Looking Glass for London and England. London: Thomas Creede for William Barley, 1594.
Hackett, Helen. Virgin Mother, Maiden Queen: Elizabeth I and the Cult of the Virgin Mary. New York: Palgrave Macmillan, 1995.
-----. “A New Image of Elizabeth I: The Three Goddesses Theme in Art and Literature.” Huntington Library Quarterly 77.3 (2014): 225-256.
Harsnett, Samuel. A Declaration of Egregious Popish Impostures. London: James Roberts, 1603.
Harvey, Gabriel. Four Letters and Certain Sonnets, especially Touching Robert Greene, and other Parties, by Him Abused. London: Imprinted by John Wolfe, 1592.
Heiatt, Charles W. “A New Source for Friar Bacon and Friar Bungay.” Review of English Studies 32.126 (1981): 180-187.
-----. “Multiple Plotting in Friar Bacon and Friar Bungay.” Renaissance Drama 16 (1985): 17-34.
Holinshed, Raphael. The Third Volume of Chronicles, Beginning at Duke William the Norman, commonly called the Conqueror; and Descending by Degrees of Years to all the Kings and Queens of England in their Orderly Successions.London: [Henry Denham], 1586.
Hoppe, Harry R. “John Wolfe, Printer and Publisher, 1579-1601.” The Library Fourth Series 14 (1933): 241-288.
Hunter, G.K. “Five-Act Structure in Doctor Faustus.” Tulane Drama Review 8.4 (1964): 77-91
-----. “Rhetoric and Renaissance Drama.” In Renaissance Rhetoric. Ed. Peter Mack. New York: St. Martinʼs Press, 1994. 103-118.
Ide, Arata. “Robert Greeneʼs Nordovicensis, the Saddlerʼs Son.” Notes and Queries 53.4 (2006): 432-436.
Jones, John Henry. The English Faust Book: A Critical Edition Based on the Text of 1592. Cambridge: Cambridge University Press, 1994.
Kathman, David. “London Inns as Playing Venues for the Queenʼs Men.” In Locating the Queenʼs Men,1583-1603. Eds. Helen Ostovich, Holger Schott Syme, and Andrew Griffin. Farnham, Surrey: Ashgate, 2009. 65-75.
Kirschbaum, Leo. Shakespeare and the Stationers. Columbus: Ohio State University Press, 1955.
Knight, Sarah. “The Niniversity at the Bankside: Robert Greeneʼs Friar Bacon and Friar Bungay.” In The Oxford Handbook of Tudor Drama. Eds. Thomas Betteridge and Greg Walker. Oxford: Oxford University Press, 2012. 355-370.
LaGrandeur, Kevin. “The Talking Brass Head as a Symbol of Dangerous Knowledge in Friar BaconandAlphonsus King of Aragon.” English Studies 5 (1999): 408-422.
-----. “Brasenose Collegeʼs Brass Head and Greeneʼs Friar Bacon.” Notes and Queries 47.1 (2000): 48-50.
Levin, Richard. “Tarlton in The Famous History of Friar Bacon and Friar Bacon and Friar Bungay.” Medieval and Renaissance Drama in England 12 (1999): 84-98.
-----. “Friar Bacon and Friar Bungay, John of Bordeaux, and the 1683 Edition of The History of Friar Bacon.” Research Opportunities in Renaissance Drama 40 (2001): 54-66.
-----. “My Magic Can Lick Your Magic.” Medieval and Renaissance Drama in England 22 (2009): 201-228.
Lily, William. A Short Introduction of Grammar. London: Francis Flowar, 1590.
Lindberg, David. “The Science of Optics.” In Science in the Middle Ages. Ed. David C. Lindberg. Chicago: University of Chicago Press, 1978. 338-368.
-----. Roger Bacon and the Origins of Perspectiva in the Middle Ages. Oxford: Clarendon Press, 1996.
Loughlin, Marie H. Hymeneutics: Interpreting Virginity on the Early Modern Stage. London: Associated University Press, 1977.
Manley, Lawrence and Sally-Beth MacLean. Lord Strangeʼs Men and their Plays. New Haven, CT: Yale University Press, 2014.
Maslen, Robert W. “Robert Greene and the Uses of Time.” In Writing Robert Greene: Essays on Englandʼs First Notorious Professional Writer. Eds. Kirk Melnikoff and Edward Geiskes. Farnham, Surrey: Ashgate, 2008. 157-188.
Marlowe, Christopher. The Tragical History of D[octor] Faustus. London: V[alentine] Simmes for Thomas Bushell, 1604.
-----. The Famous Tragedy of the Rich Jew of Malta. London: J[ohn] B[eale] for Nicholas Vavasour, 1633.
Matusiak, Christopher. “Lost Stage Friars and their Narratives.” In Lost Plays in Shakespeareʼs England. Eds. David McInnis and Matthew Steggle. New York: Palgrave Macmillan, 2014. 208-228.
McAdam, Ian. “Masculinity and Magic in Friar Bacon and Friar Bungay.” Research Opportunities in Renaissance Drama 37 (1998): 33-61.
McCallum, James Dow. “Greeneʼs Friar Bacon and Friar Bungay.” Modern Language Notes 35 (1920): 212-217.
McKerrow, R.B. ed. A Dictionary of the Booksellers and Printers who were at Work in England, Scotland and Ireland, and of Foreign Printers of English Books 1557-1640. London: Publications of the Bibliographical Society, 1910.
McMillin, Scott and Sally-Beth MacLean. The Queenʼs Men and their Plays. Cambridge: Cambridge University Press, 1998.
McNier, Waldo F. “Traditional Elements in the Character of Greeneʼs Friar Bacon.” Studies in Philology 45 (1948): 172-179.
McNulty, Robert. “Bruno at Oxford.” Renaissance News 13.4 (1960): 300-305.
Melnikoff, Kirk. “‘That will I see, lead and ile follow thee”: Robert Greene and the Authority of Performance.” In Writing Robert Greene: Essays on Englandʼs First Notorious Professional Writer. Eds. Kirk Melnikoff and Edward Geiskes. Farnham, Surrey: Ashgate, 2008. 39-51.
Molland, A.G. “Roger Bacon as Magician.” Traditio 30 (1974): 445-460.
Moorman, John R.H. The Grey Friars in Cambridge, 1225-1538. Cambridge: Cambridge University Press, 1952.
Mortenson, Peter. “Friar Bacon and Friar Bungay: Festive Comedy and ‘Three-formʼd Lunaʼ.” English Literary Renaissance 2.2 (1972): 194-207.
Muir, Kenneth. “Robert Greene as Dramatist.” In Essays on Shakespeare and Elizabethan Drama in Honor or Hardin Craig. Ed. Richard Hosely. Columbia: University of Missouri Press, 1962. 45-54.
Nashe, Thomas. Strange News.London: John Wolfe, 1592.
-----. Have with You to Saffron-Walden. London: by John Danter, 1596.
Perkins, William. Four Great Liars. London: Robert Waldegrave, [1585].
Pinciss, G.M. “Thomas Creede and the Repertory of the Queenʼs Men 1583-1592.” Modern Philology 67 (1970): 321-330.
Plomer, Henry, R. A Dictionary of the Booksellers and Printers who were at Work in England, Scotland, and Ireland from 1641 to 1667. London: Publications of the Bibliographical Society, 1907.
Power, Amanda. “A Mirror for Every Age: The Reputation of Roger Bacon.” The English Historical Review 121.492 (2006): 657-692.
Prestwich, Michael. Edward I. Berkeley and Los Angeles: University of California Press, 1988.
Record, Robert. The Pathway to Knowledge containing the First Principles of Geometry. London: Reynold Wolf, 1551 (reprinted 1574).
Records of Early English Drama: Cambridge. 2 Vols. Ed. Alan H. Nelson. Toronto: University of Toronto Press, 1989.
Records of Early English Drama: Norwich, 1540-1642. Ed. David Galloway. Toronto: University of Toronto Press, 1984.
Records of Early English Drama: Oxford. 2 Vols. Eds. John R. Elliott, Alan H. Nelson, Alexandra F. Johnston, and Diana Wyatt. Toronto and London: University of Toronto Library and the British Library, 2004.
Robertson, John MacKinnon. Elizabethan Literature. London: Williams and Norgate, 1914.
Rosenfeld, Sybil. The Theatre of the London Fairs in the 18th Century. Cambridge: Cambridge University Press, 1960.
Renwick, William Lindsay, ed. John of Bordeaux or the Second Part of Friar Bacon. Oxford: Oxford University Press, 1936.
Rodda, Joshua. Public Religious Disputation in England, 1558-1626. Farnham, Surrey: Ashgate, 2014.
Rose, Mary Beth. The Expense of Spirit: Love and Sexuality in English Renaissance Drama. Ithaca: Cornell University Press, 1988.
Round, Percy Z. “Greeneʼs Materials in Friar Bacon and Friar Bungay.” Modern Language Review 21 (1926): 19-23.
Sager, Jenny. The Aesthetics of Spectacle in Early Modern Drama and Modern Cinema. New York: Palgrave Macmillan, 2013.
Scot, Reginald. The Discovery of Witchcraft. London: [Henry Denham for] William Brome, 1584.
Senn, Warner. “Robert Greene's Handling of Source Material in Friar Bacon and Friar Bungay.” English Studies 54 (1973): 544-553.
Shenk, Linda. “Gown Before Crown: Scholarly Abjection and Academic Entertainment under Queen Elizabeth I.” In Early Modern Academic Drama. Eds. Jonathan Walker and Paul D. Streufer. Farnham: Ashgate, 2008. 19-44.
Shickman, Alan. “The ‘Perspective Glassʼ in Shakespeareʼs Richard III.” Studies in English Literature 18.2 (1978): 217-228.
Shugar, Debora. “St. Mary the Virgin and the Birth of the Public Sphere.” Huntington Library Quarterly 72.3 (2009): 313-346.
Shumaker, Wayne. The Occult Sciences in the Renaissance. Berkeley and Los Angeles: University of California Press, 1972.
Skelton, John. Pithy Pleasant and Profitable Works of Master Skelton, Poet Laureate.London: Thomas Marshe, 1568.
Spenser, Edmund. The Shepheardes Calender. London: Hugh Singleton, 1579.
Spenser, Edmund. The Fairie Queene. London: for William Ponsonby, 1590.
Stafford, Barbara Maria and Frances Terpak. Devices of Wonder: From the World in a Box to Images on a Screen. Los Angeles: Getty Research Institute, 2001.
Stow, John. The Chronicles of England. London: [Henry Bynneman for] Ralphe Newberie 1580.
-----. The Abridgement of the English Chronicle … unto the Beginning of the Year 1618.London: For the Company of Stationers, 1618.
Strong, Roy. The Cult of Elizabeth: Elizabethan Portraiture and Pageantry. London: Thames and Hudson, 1977.
Tachau, Katherine H. “Seeing as Action and Passion in the Thirteenth and Fourteenth Centuries.” In The Mindʼs Eye: Art and Theological Argument in the Middle Ages. Eds. Jeffrey F. Hamburger and Anne-Marie Bouché. Princeton, NJ: Princeton University Press, 2006. 336-359.
Thorndike, Lynn. “Roger Bacon and Experimental Method in the Middle Ages.” The Philosophical Review 23.3 (1914): 271-298.
-----. “The True Roger Bacon, I.” American Historical Review 21.2 (1916): 237-257.
-----. “The True Roger Bacon, II.” American Historical Review 21.3 (1916): 468-480.
Towne, Frank, “White Magic in Friar Bacon and Friar Bungay?” Modern Language Notes 67.1 (1952): 9-13.
van Helden, Albert. “The Invention of the Telescope.” Transactions of the American Philological Society 67.4 (1977): 1-67.
Wager, William. [E]nough is as Good as a Feast. London: John Allde, 1570.
Walsham, Alexandra. Providence in Early Modern England. Oxford: Oxford University Press, 1999.
Ward, A.W. Marlowe, The Tragical History of Doctor Faustus; Greene, Honorable History of Friar Bacon and Friar Bungay. 4th ed. Oxford: Clarendon, 1901.
Watson, Andrew G. “Thomas Allen of Oxford and his Manuscripts.” In Medieval Scribes, Manuscripts, & Libraries. Ed. M.B. Parker and Andrew G. Watson. London: Scolar Press, 1978. 279-314.
Wertheim, Albert. “The Presentation of Sin in Friar Bacon and Friar Bungay.” Criticism 16.4 (1974): 273-286.
West, Robert H. “White Magic in Friar Bacon” Modern Language Notes 67.7 (1952): 499-500.
Werstine, Paul. Early Modern Playhouse Manuscripts and the Editing of Shakespeare. Cambridge: Cambridge University Press, 2015.
Wilkinson, Louise. “Pawn and Political Player: Observations on the Life of a Thirteenth-Century Countess.” Historical Research 73/181 (2000): 105-123.
Wilson, Elkin Calhoun. Englandʼs Eliza. Cambridge, MA: Harvard University Press, 1939.
Woodbury, G.E. “Robert Green: His Place in Comedy.” In Representative English Comedies. Ed. Charles Mills Gayley. New York: MacMillan, 1916. 385-394.
Wright, Thomas, ed. The Political Songs of England from the Reign of John to that of Edward II. London: Camden Society, 1939.
Yates, Frances. “Giordano Brunoʼs Conflict with Oxford.” Journal of the Warburg Institute 2.3 (1939): 227-242.
Zetterberg, J. Peter. “The Mistaking of ‘the Mathematicksʼ for Magic in Tudor and Stuart England.” Sixteenth Century Journal 1 (1980): 83-97.